( Vaughan Ling ( heavypoly ), Yun Ling, Neil Ross, Craig Mullins, Beeple, Peter Chan, Jesus Alonso Iglesias, Wardelight, Robh Ruppel, Raffaello Vecchione ) They got me an Spiderman suit (. We hired my dream team : ALL my favourite artist and long time collaborators. I felt powerful, super confident partially because I was doing good hard work but also partially because Sony made me feel that way. SONY responded amazingly with the first images and animatics.They were real happy. Painting, Drawing, Designing and Story Boarding. But this requires openess and colaboration.Īs soon as I got hired I worked super hard 7 days a week and hell of hours per day from day one. Successfully achieved in early projects like “The Beatles Rock Band”, my Pinkman videos or later on with “Tron Uprising”. Something that either accidentally or on purpose I always want to do in my projects is to brake the repetitive and very succesful “look” and pipeline that all the big Giants Corps in animation had been smashing in our faces for the last decade, up to a point that is dificult to diferenciate who did what. To set the most amazing thing ever, basically. My main goal at first was to explore the world, the comics, the past of Spiderman, the cinematography, the language, the style, the possibilities. No Directors or Producer was attached to the film at that point yet. Very early, So early that I had an entire empty huge massive 2nd floor just for myself, and it was like that for few months. Please allow me to explain about my mysterious roll in Sony´s “ In to the spiderverse” film as a "Visual Consultant"ģ years ago ( or a bit more? ) I was hired by Sony as the Production Designer / Art Director ( I always much prefer the sound of Art Direction than Production Design, despite the status or hierarchy ) and I was also contracted to direct a little clip that will ended up been called: "the animation test".
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